Deciphering the fresco of the second Chinese horse in the Lascaux cave
PURPOSE OF THIS ARTICLE This article will decipher the fresco of the second Chinese horse in the Lascaux cave. This deciphering was carried out using
PURPOSE OF THIS ARTICLE This article will decipher the fresco of the second Chinese horse in the Lascaux cave. This deciphering was carried out using
PURPOSE OF THIS ARTICLE This article will translate the ideographic figure made up of the sign III associated with the representation of the fish found
PURPOSE OF THIS ARTICLE This article will translate sign XIII from the feline diverticulum in the Lascaux cave using the proto-Sumerian ideographic language and its
PURPOSE OF THIS ARTICLE This article will translate the entire fresco on the large panel in the Marsoulas cave using the proto-Sumerian ideographic language and
Table of contents In my presentation of the series Préface as in here in my introduction to volume 2 I mentioned the fact that it
After the demonstration of the perfect correspondence between the rupestral language (animals & signs) and the proto-sumerian ideographic language which was made in the book: ADAM (KISH, GIZEH), THE GREAT PREHISTORIC PAGAN GOD or deciphering the language of the caves
This article, also taken from the same book, illustrates this by deciphering the second pettiforme sign on a fresco of a bull in the Marsoulas cave.
This is one of ten examples of deciphering cited in the book, and further proof that the language of prehistory and the most archaic history are one and the same, just like the mythology they convey.
This is in spite of the scientistic theory that still dominates the world of archaeology, phagocyted by a corporatism of researchers who, for the most part, are totally ignorant of the science of archaic linguistics as well as the sacred science of symbolism, and who nevertheless continue, blind among the blind, to monopolize the debate on the meaning to be given to these frescoes.
PURPOSE OF THIS ARTICLE This article will help you understand why the mother goddess and the great deities were depicted in a crouching position: The
PURPOSE OF THIS ARTICLE This article will translate the meaning of the bull / auroch fresco with its signs, into the proto-Sumerian ideographic language and
Table of contents PURPOSE OF THIS ARTICLE As we understood when reading the previous article summarizing the archaeological discoveries at this site, despite the numerous
Table of contents PURPOSE OF THIS ARTICLE As the title suggests, this article will summarize everything that has so far been discovered and said about